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Menuet sur le nom d'Haydn

pental

2:39	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	35	45	13	5	100%
	39	28	15	3	93%
	2	0	0	3	12%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	35	45	13	5	100%
	39	28	15	3	93%
	2	0	0	3	12%

B. Bartok, For Children, Vol. 1, Nr.30 Jeering Song, Sz42

pental

0:36	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	4	2	32%
	29	13	4	4	88%
	33	19	8	4	98%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	4	2	32%
	29	13	4	4	88%
	33	19	8	4	98%

Missa brevis Sancti 05 Benedictus

pental

3:01	Est. Play Time
72	Measures
	1,057Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello e Basso	16	1	3	5	97%
Violino I	23	4	6	9	93%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello e Basso	16	1	3	5	97%
Violino I	23	4	6	9	93%
Violino II	18	4	4	8	93%
Organo	21	0	5	7	49%
	19	6	3	6	87%
Soprano solo	18	0	5	8	43%
Bass	10	0	2	4	21%
Alto	11	0	2	3	17%
Tenor	8	0	1	3	17%
Soprano	8	0	1	3	15%

Seele vergiss sie nicht Peter Cornelius

pental

8:30	Est. Play Time
118	Measures
	1,672Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	130	15	6	96%
	36	71	20	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	130	15	6	96%
	36	71	20	6	98%
Bass 1	16	0	8	6	94%
Alto	18	0	11	6	93%
Tenor	15	0	9	6	92%
Sopran 1	20	0	12	6	89%
Bass 2	20	0	12	6	85%
Soprano 2	16	0	8	6	39%

Cornelius_Peter_-_Trauer_und_Trost_Op.3_No.4_-_An_dem_Traum

pental

1:23	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	7	2	6	97%
	9	4	2	6	47%
Voice	13	0	3	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	7	2	6	97%
	9	4	2	6	47%
Voice	13	0	3	7	89%

III. Videntis Stellam F. Poulenc

pental

2:21	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	2	10	5	100%
Soprano	17	2	11	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	2	10	5	100%
Soprano	17	2	11	5	100%
Tenor	16	2	9	5	100%
Bass	14	2	10	5	60%
	10	0	4	4	19%

Missa "Au travail suis" Benedictus Johannes Ockeghem

pental

1:34	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	0	2	6	71%
Tenor	13	0	2	7	68%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	2	6	71%
Tenor	13	2	7	68%
Superius	9	2	5	50%
Altus	7	0	7	48%

There are seven that pull the thread Edwar Elgar

pental

2:29	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viole	14	3	3	7	100%
Voce	8	0	1	7	86%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viole	14	3	3	7	100%
Voce	8	0	1	7	86%
Violini I	18	7	3	6	77%
Violini II	11	0	0	6	68%
Violoncelli	10	1	0	4	64%
Clarinetto in A	11	0	0	6	59%
Bassi	4	0	0	4	36%
Harp	9	5	0	2	23%
	7	3	0	2	27%
Fagotto	8	0	0	6	27%
Flauto	5	0	0	4	27%
Corni in F	6	2	1	4	23%

3. Graduale Missa Pro Defunctis a 4 de Morales

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6:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	7	0	0	6	88%
Tenor	9	0	1	6	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	7	0	6	88%
Tenor	9	1	6	87%
Cantus	14	4	6	86%
Bassus	10	1	6	83%
Voice	7	0	1	8%

5. Sanctus Missa Pro Defunctis a 4 de Morales

pental

2:59	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	0	2	5	98%
Tenor 1	12	0	2	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	2	5	98%
Tenor 1	12	2	5	97%
Tenor 2	12	2	6	95%
Bassus	10	1	5	93%
Voice	2	0	1	1%